There’s a lot of brilliant podcast gear on the market these days. But too much choice can be overwhelming, and often, people will spend a lot more than they need to.

Listen, follow, or subscribe on your podcast app of choice!

Nobody likes to feel ripped off, so let’s look at the cost of podcast equipment based on your unique needs, wants, and budget.

What Podcast Equipment Will I Need?

The type of show you want to run will determine the equipment you need. Here, I’ll look at the different pieces of kit required to record the most common types of podcasts.

A quick heads up, too, that we sometimes use affiliate links when recommending certain products. This means we may earn a small commission if you were to buy through them, though never at any extra cost to you.

With that all said, what podcast equipment do you need, and how much does it cost?

A USB Microphone: $50-$100

A USB mic setup comes with the assumption that you’ve already got a PC/laptop/Mac, and that you’ve installed the audio-editing software Audacity, which is free. Audacity is great if you’re recording a solo show. However, if you’d like to do online/remote interviews or conversations, check out our best call recorder tools roundup.

The quality of USB mics has come on leaps and bounds these past few years. In my opinion, the best overall option remains the Samson Q2U or the ATR2100 because you can also use them with digital recorders and audio interfaces further down the line.

In our 2024 Podcast Gear Survey, the Q2U was found to be the second most popular mic. You might naturally wonder about the most popular—the Blue Yeti—but I don’t think it’s worth paying $90-$110 when you can get the (much better) Q2U for cheaper.

Aside from the mic itself, you just need to plug in some headphones. Yes, you can buy yourself a high-end pair of studio headphones, but you can just as easily use the trusty set of earbuds you have lying around. The Q2U is often found in bundle deals with headphones included.

For the vast majority of people, this is all you need to make a podcast. You can be up and running with an excellent kit for less than $100.

Naturally, there are more high-end USB mic options out there too. The Shure MV7+ or the Rode Procaster will give you top-of-the-range sound quality, but you’ll pay anywhere between $150 and $280 for the privilege. Find out more about them in our Best USB Mics roundup.

But what if you don’t own a computer, or don’t want to be tied to one for recording your podcast? Then, a smartphone setup might be more suited to your needs.

Smartphone Podcast Equipment ($45-$135)

The average smartphone offers many options for recording audio and video. In the short term, you can get away with using it without any additional equipment. Still, if you’re serious about growing an audience, you’ll want to upgrade your audio sooner or later.

We’re well-catered to for affordable smartphone audio now with the BOYA Mini and Rode Wireless Micro. Both setups are pretty similar—you plug a wireless receiver into your phone and connect a wireless transmitter (mic) to your jersey and another to that of your guest or co-host, if you have one.

But if you don’t want to use a computer or a phone, what next?

A Digital Recorder ($100-$400+)

Some podcasters naturally prefer dedicated single-use technology. If you’d rather keep your computer for work and your phone for doom-scrolling, then a digital recorder could be right up your alley.

Lower Cost Digital Recorder Setups

The Tascam DR-05X ($80) and Zoom H1n ($90) are two great entry-level digital recorders, perfect for on-the-go podcasters.

Both have built-in mics, and you can record directly into them, either solo recordings or chats with guests and co-hosts.

Sound quality will always be limited when sharing a mic, and you can optimise this setup by plugging Lavalier mics into the H1 via a splitter, though this can triple your podcast equipment cost.

Higher Cost Digital Recorder Setups

The H1’s bigger cousins, the Zoom H5 and Zoom H6 come in at between $200 and $300 respectively. These recorders are chunkier, more powerful, and can record XLR mics on multitrack. Bear in mind that you won’t pay much less than $100 for each XLR mic you use. Again, you can simply record into the recorder’s built-in mics but this will limit your overall audio quality.

An alternative to the H5 and H6 is the Zoom PodTrak P4. At only $150, the P4 is a cheaper option, and comes with call recording capabilities. On the flip side, it doesn’t have built-in mics, so you’d need to buy at least one XLR mic to make use of it.

Mixers & Audio Interfaces ($85-$700+)

Audio interfaces are the bridge between using XLR mics and podcasting on your computer.

I’ve owned a Focusrite Scarlett 2i2 for about 15 years, and it remains the most popular audio interface among podcasters. Now in its 4th Generation, you’d be looking at about $200 to buy one brand new, or $140 to get the solo (one mic) version.

Focusrite has since released the podcast-focused Vocaster, too. You can get a two-mic version for $110 and a solo version for $85. I really like the Vocaster, and switched to using it after my 2i2 started to die of old age.

Mixers are an alternative to audio interfaces, but they are much less common in podcasting these days. This is because they’re overly complicated tools designed for musicians, and much of their capability can be achieved with much simpler tools (like the PodTrak P4) or software.

The Rode Rodecaster Pro 2 is as close to a traditional mixer as I’d recommend for podcasters these days. It’s the ultimate “all-in-one” podcast recorder, though it doesn’t come cheap—around $690—and that’s before you buy any XLR mics to run into it!

On the other end of the pricing scale, the PreSonus AudioBox USB 96 is a great sub-$100 option. But again, we still need to get some mics…

XLR Mics ($50-$400)

I’ve mentioned XLR mics a lot so far. You might want one (or more) to plug into your digital recorder or audio interface.

Our Best Podcasting Microphones roundup is a deep dive into the top choices on the market right now. Here’s a summary of some options, though.

• Samson Q2U/ATR2100 – sub-$100 and also works as a USB mic
• MXL 990 – sub-$100, great sound, at a low cost
• Shure MV7+ – $280 – one of the best podcasting mics around

Other Bits & Pieces: Podcast Equipment Cost FAQ

You might have some additional outgoings on top of the gear you plan to buy. Don’t worry though, you can keep these additional podcast equipment costs pretty low.

Q: Do I need headphones?

Yes, but you can get away with using the earbuds you already own. If you want to buy a decent set of studio-quality headphones you’d be talking $30-$40, at least.

Q: Do I need a mic stand?

Most USB mics come with desk stands, so you can get set up to record right out of the box. However, you might want to upgrade to a boom arm later on. You can pay as little as $15 for a boom arm, but a word of warning—the really cheap ones tend to be false economy.

Q: Do I need a pop-filter?

Some mics come with a foam windshield, which might see you through in the short term, especially if you’re using a desk stand (which means you’ve nowhere to mount a pop filter). If you’re buying a boom arm or mic stand, it’s worth chucking in a pop filter, too. You can get one for around $10.

Q: What about cables?

If you’re using a USB mic, it’ll come with a cable that plugs directly into your computer. If you want to run XLR mics into a digital recorder or interface, then you’ll need an XLR cable for each one. You can pick one up for less than $15 if money is tight, but it’s worth spending a little more if you’re able.

Summary: How Much Does Podcast Equipment Cost?

Most people don’t need to spend more than $100 on their podcasting equipment. If you’re recording solo or online/remote conversations, a USB mic will suit you.

For the other bits and pieces, if you need them, you can be anywhere from $20 to $100+.

A digital recorder setup can cost $100 (bare basics) to $300+. Running a couple of XLR mics into your computer via a USB audio interface will cost around $300.

Nobody wants to spend more than they need on podcast equipment, so make sure you’re not getting something overkill for your podcasting requirements.

If you’re spending more than $300 on your gear, make sure you’ve got a very good reason for it. Are you certain that you need everything in your shopping cart?

Check out these additional resources as you continue to plan your ideal podcasting setup;

• Full Guide to Podcasting Equipment: What Do I Need, & Why?
• Podcast Software: The Complete Guide From Start to Finish

Putting together the perfect and most cost-effective podcasting kit is something we can help you with in the Podcraft Academy, too. In there, you’ll find video courses, feedback tools, downloadable resources, and a community of like-minded creators. It’s a brilliant place to plan and launch a growth-optimised podcast!

A couple of weeks ago, I reviewed the BOYA Mini, an excellent wee smartphone recording kit alternative to the Rode Wireless Micro.

BOYA seemed enthusiastic about showing us more of their offerings and suggested we take a look at their K9. It took everything in my power not to make a dog-walking joke, and even now, I sort of am.

In any case, the K9 might not be man’s best friend, but it certainly could be a podcaster’s pal. The K9 and K3 are a USB mic duo that make up BOYA’s ‘K’ series, which BOYA kindly posted out to us, free of charge, for review purposes.

So, let’s fulfil our end of the bargain now and get to know them a wee bit more.

The BOYA K9

With its multiple polar pattern options and built-in desk stand, the K9 gives a wink and a nod to the most popular mic in podcasting, the Blue Yeti.

However, while the K9 and Yeti’s multiple polar patterns look good on paper, I don’t think they are all that useful. Sharing a mic is never optimal for audio quality, and I’d only recommend it if you have absolutely no other option.

With the K9, you can opt for bidirectional (two-person use) or omnidirectional (roundtable), but solo-person use on the supercardioid setting will give you the best results here.

During my testing, the K9 sounded pretty decent, though I did find the odd plosive slipping through the wee metal pop filter.

The K9 has a gain dial to control your input recording volume and a monitor dial to set your output headphone volume. I found both to be a little noisy, so going forward, I’d try to set them before I start recording, and never during.

The BOYA K3

The K3 only has one (supercardioid) polar pattern, which is fine by me.

The K3’s USP is its Noise Reduction, which you can activate by tapping the button atop the mic. However, this turns out to be a rather aggressive-sounding noise gate, and I wouldn’t recommend it. Either move away from the noise you’re trying to cut or do some noise reduction in post-production instead.

The K3 has a gain dial, though, like the K9, trying to adjust it during a podcasting session might be noisy enough to be picked up in the recording.

BOYA K3 Vs K9

Both mics have a Frequency Response of 20 Hz – 20 kHz, which is fairly typical.

The K3 has a higher sensitivity (-39 dB), giving it a clearer, more detailed sound, while the K9’s lower sensitivity (-46 dB) makes it warmer with more bass. I did notice that in my testing.

The K9 has a tiny bit more gain (0–27 dB vs. 0–26 dB), but this is marginal.

The K3 has a Noise Reduction feature, whilst the K9 has extra polar patterns, but I wouldn’t use any of these settings. I much prefer them both in their “ordinary” form.

Both mics have LED RGB lighting, which might make them attractive to YouTubers or video podcasters. Personally, LED lighting on audio gear is a bugbear of mine. As someone who’s hopelessly colourblind, I’m always paranoid that it’s trying to convey important information to me (hey, you’re on mute, chump!), and I’ll simply have no way of getting the memo.

Summary: The BOYA K3 & K9 USB Mics

You can get the BOYA K3 for a mere $30, which is as cheap as I’ve seen for a brand-new mic. The K9 costs $65, which, although double the price, still puts it in the budget category. It costs about $30 less than its idol, The Blue Yeti.

Curiously, you can’t buy the K3 or K9 on Amazon (at least at the time of writing). I’m not sure what the thought process is here or whether or not they will eventually be available there. BOYA literally has a “store” on Amazon, so it seems like a no-brainer…

In summary, would I use one of these to podcast? For sure, but only in its cardioid setting (the K9) and definitely without the noise reduction turned on (K3).

Would I buy one as a beginner ahead of something like the Samson Q2U or ATR2100x? No, I don’t think so. That’s no slight on the K3 or K9, but the other two mics can also be used in XLR form, and that gives me the freedom to upgrade to an audio interface or digital recorder further down the line.

Still, BOYA has added a couple of solid options to the starter mic market here, even if they’re not particularly straightforward to find and buy!

The Best Podcast Microphones for All Abilities and Budgets

Read article called: The Best Podcast Microphones for All Abilities and Budgets

So, you really want to start a podcast. You’ve got something of value to say, and you can think of countless topics in your niche that you’d like to cover. There’s just one problem: how do you figure out the best podcast starter kit to fit your budget and context?

It’s easy to be intimidated by pictures of recording studios, mixing desks, and cables running everywhere. But you don’t need any of that to start or run a podcast.

In this post, I’m going to review three common podcast setups covering every potential use case. No matter your budget, space limitations, or intended recording methods, you’ll find something here that fits.

A quick heads up before diving in. We sometimes use affiliate links in our content, which means we may earn a commission should you decide to buy through them (though at no extra cost to yourself!).

And with that all said, let’s take a look at these podcast starter kit options.

Podcast Starter Kit Setups

Here are the three podcast setups we’ll take a look at:

The Smartphone Starter Kit

A simple and lower-cost option for recording solo shows, or local (on-location) co-hosts and interviewees. Jump to smartphone section.

The USB Mic Starter Kit

The most common way of recording solo shows, or remote (online) co-hosts and interviewees. Jump to USB section.

The All-Rounder Podcast Starter Kit

Finally, we’ll talk about a setup that covers all bases. It might cost a little more, but your options, flexibility, and sound quality will be taken to the next level. Jump to ‘All-Rounder’ section.

And remember, if you need help with the rest, check out our full guide on How to Start a Podcast!

The Smartphone Podcast Starter Kit

Your phone is probably the most expensive audio recorder you own, and it can double up as your podcast microphone, too. Sure, it might not sound as good as a studio condenser mic, but most phones have pretty decent mics built into them nowadays.

To record a podcast with your phone, it’s simply a case of finding your ‘voice memo’ or ‘voice recorder’ app, and you’re ready to start your first episode. There are a few free voice recording apps for Android and iOS that will give you a better level of audio quality, too.

• Best Audio Recording Apps for Android
• Best Audio Recording Apps for iOS

Accessorising Your Smartphone

If you’re looking to stick with your phone but want better sound quality and a bit more recording flexibility, there are a couple of great options out there.

Rode Wireless Micro

Plug a receiver into your phone, stick a cableless lav mic transmitter onto your jersey (and your co-host or guest’s jersey!) and recording top-quality mobile audio has never been better or more straightforward. The Rode Wireless Micro is our most recommended smartphone recording kit.

BOYA Mini

The Rode Wireless Micro isn’t expensive for what it does and how it performs, but you can save a fair chunk and still get good quality with the BOYA Mini. It works in exactly the same way as the Wireless Micro.

Rode Wireless Pro

A premium option here is the Rode Wireless Pro, which works with any recording device, not just smartphones. This kit also features “unclippable” 32-bit float technology, meaning an overly loud guest or recording environment won’t ruin your audio quality.

Shure MV5

If you’d prefer a mic that sits on the desk, then the Shure MV5 is a nice option. Priced around $100, this mic works as a USB, iPad, or mobile (iPhone) mic, and it has an excellent level of sound quality.

The USB Mic Podcast Starter Kit

The beauty of USB mics is that they are virtually ‘plug and play’ (or, plug and record, as our case might be) if you’re using a computer, laptop, or Mac.

Connecting a USB mic is no harder than connecting a flash drive. So, let’s look at the best entry-level USB mics out there right now.

Samson Q2U/ATR2100

The Samson Q2U is my personal favourite ‘starter’ mic. At around $70, it’s very affordable and offers a good level of sound quality, too. It also has an XLR connection, so if you ever want to upgrade to a digital recorder or mixer, you won’t need to buy a new mic.

Depending on what part of the world you live in, it can be hard to pick up a Q2U. If this is the case, you might need to look at the Q2U’s “twin”, the ATR2100.

From our 2024 podcast equipment survey

The Samson Q2U is also available in a great podcast equipment bundle deal that’s as good a complete podcast starter kit on the market as I’ve seen.

What About the Blue Yeti or Blue Snowball?

The Blue Yeti and Blue Snowball are popular mics in the podcasting space. If you already own one, it’ll be more than good enough to podcast with. However, if you’re still considering buying a mic, I don’t think they’re necessarily the best value for money. My advice—opt for a Samson Q2U instead. Remember to check out the Q2U podcast starter kit, too.

Other USB Microphone Options

There are many excellent USB mic options on the market these days. If you reckon this route is going to be the best fit for you, and would still like to do some shopping around, then check out our Best USB Mics for Podcasters roundup.

The All-Rounder Podcast Starter Kit

If I were just starting out and had a decent budget behind me, then I’d buy myself a Zoom PodTrak P4. This little device comes in at less than $150, and there isn’t much it can’t do.

You can record multiple guests/interviewees locally, or run remote (online or phone) call recordings. You can also play music, effects, and pre-recorded clips during your episodes. It’ll even act as a USB interface if you want to use it with your computer.

However, to get set up with the PodTrak P4, you’d need to spend more than $150. You’d need at least one XLR mic to plug into it. Each local participant would need a mic; you can plug in up to four. I mentioned the Samson Q2U already as an excellent option, though you might also consider the Shure SM58.

Check out our review of the Zoom PodTrak P4 to get the full lowdown.

Other Podcast Starter Kit Gear

There are a few other bits and pieces potentially worth looking into.

Studio Headphones

For starters, you should definitely use headphones when recording and editing your podcast. The good news is that you can get away with using the trusty set of earbuds you already own, but you might want to upgrade to pro-level podcasting headphones later.

Cables, Stands, & Pop Filters

You may also need kit like XLR cables, mic stands, shock mounts, and pop filters. Take a look at our guide on the cost of podcast equipment to see the best options on that front.

Sound Treatment

The best podcast kit in the world will still sound bad in a poorly-treated environment. Fortunately, doing some basic acoustic therapy doesn’t need to cost very much at all. Here’s how to create a great-sounding podcast studio.

Alternatively, you might consider outdoor podcast recording. Noise doesn’t need to be a negative in podcasting, so long as your voice is crystal clear. The ambience of a park or street can bring an element of vibrancy and life to your content, so never think that you need to be locked in a cupboard trying to eliminate all background noises.

Is There a One-Size-Fits-All Podcast Starter Kit on the Market?

Many aspiring podcasters have asked us if there’s such a thing as a “podcast starter kit” on the market. A one-box solution that’ll equip them with all the gear they need to start and run their show.

This is tricky because there are so many different styles and formats of podcasts out there.

Samson Starter Bundles

So there may be no such thing as a “one size fits all” podcast starter kit, but the Samson Q2U Recording & Podcasting Pack is as close as they come.

This bundle gets you set up with headphones, a desk stand, and cables to use your mic in USB and XLR form. That’s not to mention, the Samson Q2U mic itself!

There’s even a little cloth in there to wipe away your tears of joy once you realise all of this is available for just over $100.

MOVO PodPro-T Bundle

A new podcast starter kit option I tested out recently is the MOVO PodPro-T podcast equipment bundle.

At $300, it’s a significant investment, but you get two quality dynamic mics on stands and a great audio interface that plugs into your computer, laptop, or smartphone.

This makes for an ideal mobile podcast studio for on-the-go podcasters who want microphones in front of them rather than pinned to their clothing.

Check out our full review of the MOVO PodPro-T Bundle for the ins and outs.

What Else Do I Need to Podcast?

I’ve covered many different options for building your own podcast starter kit. Now, we’ll need a few more things to get your podcast off the ground.

Editing Software

Firstly, the good news is that Audacity is completely free and allows you to record and edit your audio. You need audio software like this if you want to make any edits to your recording, or if you want to add intro or outro music. Learning to use Audacity can take a bit of time and patience, but it’s not hard once you grasp the basics.

Automate Production & Make Editing Easy

Thanks to our “podcast maker” tool Alitu, you don’t even need audio software like Audacity anymore, though. Alitu is really simple to use. You can record directly into it (either solo recordings or online calls), and it’ll take care of the processing, editing, and publishing of your podcast for you.

Alitu is ideal for complete beginners who don’t want to learn how to edit – or – experienced podcasters who don’t have time to edit. It even has a text-based editing feature, so if you can compose a text message to your best pal, you can edit a podcast episode!

Alitu doesn’t stop with recording and editing, either. You can upload and publish your podcast there; it has a free music library, and it’ll auto-generate episode transcriptions and show notes for you. It pretty much has everything you need to podcast under one login and subscription. Sign up for a free trial today.

Call Recording Software

This is only required IF you’re doing an interview show with remote guests. If that’s your aim, check out our roundup of the best tools for recording a podcast online. If you just want our top pick though, then you can start using SquadCast from $19 a month. But if you’re going to use Alitu for your editing and production, then you’ll already have access to a call recorder.

Music & Audio Branding

You don’t need music, but it can add an extra layer of professionalism and identity to your content. There are plenty of options out there for finding great music that’s safe and legal to play on your podcast. Here are three of our favourites;

• Shutterstock
• Epidemic
• Envato Elements

Any music you use during the course of your active subscription on these platforms is yours to keep, forever.

You don’t need to spend money buying podcast music, either. If you’re on a tight budget, check out our Free Podcast Music Packs. And again, if you’re using Alitu, you’ll have access to its free music library.

Cover Art

You’ll need cover art to create your podcast and make it available in places like Apple Podcasts and Spotify. Your cover art should be in JPEG or PNG form, and either 1400 x 1400 or 3000 x 3000 pixels.

Here’s our full guide to creating your podcast logo. You can make your own for free using a tool like Canva, or, our designer can create bespoke cover art for you!

Podcast Hosting

Your podcast host is the place where you upload and publish your episode files. Once you’ve created your show on a podcast host, people can subscribe to it and start downloading your content.

Alitu has podcast hosting built-in, so that’s one single login for recording, editing, producing, and publishing your podcast (with many more features, on top of that).

Of course, there are many other great hosting options out there, too. Check out our full podcast hosting platform roundup, if you’d like to do a bit of shopping around. There’s something there for every level and budget.

Podcast Starter Kit: FAQ

In this section, we’ll answer some of the frequently asked questions about podcast setups and starter kits.

Will a Condenser Microphone Give Me Better Audio Quality?

Condenser mics differ from their dynamic microphone counterparts in the way they function and are built. A simplistic differentiation between the two is that condensers are better for recording voice in optimal environments, while dynamics will handle suboptimal conditions more appropriately.

To be honest, either type of mic is more than good enough for podcasting. It’s really how and where you use it that matters. I wouldn’t let whether a mic is condenser or dynamic be a deciding factor in whether you buy a certain mic or not.

Is an XLR Microphone Better Than a USB Mic?

XLR Vs USB is similar to the dynamic Vs condenser debate in that it’s how and where you use a mic that matters most. This time, we’re talking about how a mic is plugged in, and what it’s plugged into. Both of these routes have their advantages.

A USB mic gives you a quicker, simpler setup. An XLR mic, on the other hand, is much more flexible. You can plug it into a multitude of recording devices (even a computer, if you go via a USB audio interface).

Neither is “better” than the other; it’s only what works best for you. For what it’s worth, you find mics that do both. I’ve talked a lot about the budget-friendly Samson Q2U in this post, and that’s one of them!

What About Video Podcast Equipment?

If you’d like to add a video component to your podcast, then check out our video podcasting guide, where we run through some gear and kit options.

Best Podcast Starter Kit: Summary

As we’ve covered, there is no one-size-fits-all podcast starter kit because podcasts come in various styles and formats.

That said, the Samson Q2U Podcasting Pack & Accessory Bundle would be ideal for most folks starting out. Whether you’re doing a solo show, or online co-hosted or interview chats, then this is a great option.

And for folks who want to record guests or co-hosts with their smartphone, the Rode Wireless Micro and BOYA Mini kits are excellent options.

Best of luck getting set up. Remember to check out our full How to Start a Podcast Guide to get everything else nailed down, as well as our Podcast Equipment Kits Guide if you’d still like to do some shopping around.

On the software front, Podcast-Maker tool Alitu offers recording, editing, production, hosting, music, and transcription, all within one easy-to-use interface. Get a free trial with Alitu to see it all in action!

And, that’s not to mention the fact that you don’t need to rely on internet connections, as well as your guest’s environment and equipment (and knowledge of how to best use it!).

Sure, recording in person comes with its own potential issues and obstacles. But these can be minimised by opting for the simplest kit possible.

In this article, I’m going to cover one of the easiest but best ways to record an interview in the field, really concentrating on a balance of cost, simplicity, and quality. Jump straight to it, if you just want the recommendation.

If, on the other hand, you are looking for the best quality premium interview kit you can get, then be sure to check out my Gold Standard In-Person Podcast Interview Equipment series here.

Recording On-Location vs Studio or Online

First off, a quick qualification of what we’re talking about here. There are three main places where you might record an interview:

1. Online, recording remotely
2. In your standard studio, recording in person
3. Out in the field, recording in person

If it’s the online recording you need help with most right now, then check out the best tools on the market for recording remote conversations.

If it’s a studio setup you’re after, take a look at our ultimate guide to podcast equipment and sound treatment.

If it’s the on-location setup you’re most interested in, though, then that’s what we’ll cover right here.

Recording on the move requires a few particular things.

1. Light and portable – you need to be able to carry this kit around, so no bulky mixers, heavy microphones and unwieldy stands.
2. Noise isolation – you might well be recording in a noisy environment, so you need to be able to get the mic up close to the speakers’ mouths.
3. Simplicity – this needs to be point-and-shoot. You won’t have the space or the time to spend 10 minutes setting everything up and testing it to see if it works.
4. Quality – just because we’re on the run doesn’t mean we’ll put up with bad-quality audio. It needs to work!

Luckily, there’s a great setup that meets all of these criteria, and it’s not even very expensive!

The Best Equipment Setup for Recording In-Person

Let’s get straight into it – here’s what you need to record a great in-person interview.

• A recorder – either your smartphone or a dedicated digital recorder
• Two Lavalier microphones

Let’s look at these in turn – the why and the what.

The Microphones – Lavalier or Lapel Mics

The most important part is the mic – this captures your voice and turns it digital, after all.

No doubt, if you’re already podcasting, you’ll have a decent microphone at home. The issue is that most mics are big, bulky, sometimes fragile and usually in need of a stand.

Lavalier (also known as lapel) microphones are the ones you see clipped to a speaker’s shirt buttons or collar. They’re tiny mics that sit about 6 inches below your mouth and do surprisingly well at isolating your voice.

Lapel microphones definitely fit our needs for being light and portable. They’re no bulkier than a little set of earbuds or AirPods.

They’re also good for our second requirement: noise isolation. Because they sit so close to your mouth, you’ll be much louder than the background noise. You’ll get a bit of the background for the atmosphere and ambience, but you’ll still be nice and clear to the listener. And so will your guest!

What Lavalier Microphone Should I Buy?

Time for some actual recommendations, then. Just a quick heads up that we use a few affiliate links here, which help support all our free content, though never at any extra cost to yourself.

Lavaliers have long been used by on-the-go podcasters. In the past few years, we’ve seen them evolve from cabled to wireless models, too.

Wireless options are handier overall – no annoying tangled cables or mic splitter requirements – though you do need to remember to keep them charged.

Simplest On-Location Smartphone Setup

If you’re recording with your phone, there are two great options at different price points: The Rode Wireless Micro and the BOYA Mini.

Both of these kits are very similar. They are made up of two mics (transmitters) that easily and discreetly attach to your clothing. Then, there’s a receiver, which plugs into your smartphone. You can buy a version of each for either Android (USB-C) or iOS (Lightning).

The Rode Wireless Micro is the premium option here. Rode is one of the best in the business when it comes to recording pristine audio, and this is another great addition to their stable.

The Rode Wireless Micro costs about $140, so it isn’t cheap, but it is most definitely brilliant value for what you get, what it does, and how it sounds.

The BOYA Mini is a worthy alternative if you’re on a tight budget. It might lack some of the bells and whistles of the Micro (like the magnetic clips on the mics) and have a couple of questionable settings (‘AI Voice Change’), but it will give you a really solid sound quality for the price point.

Both of these super-handy little kits can be set up and recording in less than a minute. If you want to record into your smartphone to do on-the-go recordings or video podcasts, just choose one of these and you’ll be golden!

BOYA Mini Vs Rode Wireless Micro: Smartphone Audio Made Easy

Read article called: BOYA Mini Vs Rode Wireless Micro: Smartphone Audio Made Easy

Simple Digital Recorder Setups

Not everyone wants to record with their phone. If that’s you, then a digital recorder is a great portable option instead.

Good digital recorders don’t cost the earth, and they make up a pretty useful part of a larger podcasting kit setup anyway, so it’s often worth having one for other reasons, too.

Digital recorders let you plug in external mics, but they also come with their own built-in mics. So you could get by with a digital recorder and nothing else.

On that question, why not use the internal microphone on your digital recorder? Well, because that defies the law of noise isolation. A digital recorder sitting on the table between you is miles away from you and your guest. Having a mic each is much better, drastically improving your audio quality.

A few digital recorders have multiple XLR inputs, but then we’re venturing into the more premium and complicated Gold Standard Interview kit, which I’ve covered in this separate guide.

So, if you wanted a simple digital recorder setup, I’d look at something like the Zoom H1n or Tascam DR-05X, two lavalier mics (like the Rode Lavalier Go), and a splitter to connect them both to your recorder via the recorder’s 3.5mm jack.

However, costs can quickly add up, here (you could be talking about $200 to build this kit), and though this is a straightforward setup, it might not exactly seem “simple” to a complete beginner. So, are there any alternatives?

The Rode Interview PRO: Best Non-Smartphone In-Person Setup

Our pals at Rode come up trumps again here with the Rode Interview PRO. This is a handheld mic with onboard recording, so it’s basically a microphone-shaped digital recorder. And, being a handheld, it’s optimised to minimise handling noise being picked up in your recordings, too.

Of course, sharing a mic with your guest or co-host isn’t without its issues. You see handhelds being pointed back and forth in 1-2 minute interviews after a big football match, but could you record an hour-long episode this way?

With that said, this is really as simple an in-person setup as it gets. Just switch the mic on, point, and talk. If you have any other Rode wireless kit, you can also set it up to record wirelessly, too. But the onboard recordings should serve you just fine, in all honesty.

The Rode Interview PRO costs about $245. See our review of the Rode Interview PRO for the full lowdown.

Simple Setups for In-Person Recordings

In conclusion, then, if you’re recording with your phone, opt for the BOYA Mini or Rode Wireless Micro. And, if you see yourself as the roving reporter type, consider the Rode Interview PRO, instead.

If you need more help, support, or guidance when it comes to podcast tech, or any other aspect of podcasting and content creation, then be sure to join us in the Podcraft Academy. We have in-depth courses, tutorials, downloadable resources and checklists, along with accountability and feedback tools, too. It’s a brilliant place to nurture and grow your show!

Until recently, in-person smartphone interview kits revolved around this or that cable, splitter, or hack. Don’t get me wrong, there were a few decent options out there, but nothing compared to now.

A few weeks ago, I reviewed the Rode Wireless Micro. Available for either iPhone or Android, this tiny kit was so impressive that it was hard to see us recommending anything else for in-person smartphone recording.

The Wireless Micro costs about $140, which is excellent value for its features, quality, and usability. However, there are even cheaper alternatives, one of those being the BOYA Mini. At only $55, it isn’t fair to expect the BOYA Mini to be the Wireless Micro’s better, or even, its equal. But how close does it get? Let’s take a look.

A quick heads up before we dive in to say that we use affiliate links in this review, which help support all of our free content. Fear not, though; affiliates never cloud our judgment when it comes to giving our honest opinions.

Use Cases: Who Would Want One?

The BOYA Mini, like the Rode Wireless Micro, is designed for folks who want to record directly into their phones.

Both kits are ideal for video podcasters, or creators who like to do on-location or on-the-go interviews and co-hosted chats.

This isn’t the sort of setup you’d typically use if you plan to do remote recordings on your computer. I mean, you could, but I’d opt for something a bit more suited instead.

BOYA Mini Vs Rode Wireless Micro

Key Similarities

• Both kits have two transmitters (mics) and one receiver
• Both are available for iOS (Lightning) and Android (USB-C)
• Both have handy little storage/charging cases
• Both have a transmission range of up to 100 metres
• Both have a Frequency Range of 20 Hz – 20 kHz

Key Differences

• $140 (Rode) Vs $55 (BOYA)
• Signal-to-Noise: 73dB (Rode) Vs 80dB (BOYA)
• The Wireless Micro receivers attach to clothing with magnets
• The BOYA Mini has built-in Noise Reduction buttons
• The BOYA Mini has ‘AI Voice Changing’ features
• The BOYA Mini case is smaller and lighter
• The BOYA Mini transmitters are smaller and lighter
• The BOYA Mini transmitters have a battery life of 6 hours (30 hours via charging case)
• The Wireless Micro transmitters have a battery life of 7 hours (21 hours via charging case)

Does the BOYA BY-V2 Win Out Anywhere?

Actually, yes. At least according to the tech specs of both bits of kit.

The BOYA Mini is said to have a Signal-to-noise ratio of 80 dB, better than the Wireless Micro’s 73 dB. SNR measures how loud the signal (voice) is compared to a system’s background noise level. It also has noise reduction settings built-in.

The BOYA Mini charging case and mics are also smaller and lighter. The transmitters (weighing only 5g!) will be even more discreet on clothing, for anyone recording video content.

Any Downsides of the BOYA Mini?

On the flip side, there are a few potential pitfalls worth highlighting.

Unclear (& Unhelpful) Settings

Both transmitters and the receiver have “NR” (Noise Reduction) buttons on them. I don’t know why all three need to have them, but they’re used for everything the kit does, including pairing and adding voice change effects.

Let’s cover that first, because this is, frankly, a daft feature to add to an otherwise promising kit. If you press the NR button twice, you begin to toggle through vocal effects that will make you sound like a chipmunk or Barry White. Just what you’ve always wanted for your next podcast recording, eh?

There doesn’t seem to be much or any indication that you’ve changed your voice, and the only way to find out for sure is to listen back to your recording. I don’t know how easy it would be to accidentally press the NR button twice and activate chipmunk mode, but I’ll go out on a limb and say it wouldn’t be impossible.

There seem to be two different LED light colours, but as there are three settings, that won’t tell you much. And, as a hopelessly colour-blind person, I despair when gear companies try to give me essential information via tiny dots of colour.

Noise Reduction

The above issues impact the Noise Reduction features. Three settings (Weak, Medium, and Strong) can be toggled by pressing the NR button once. Again, I don’t really know which setting I am using, and I’m now worried that I’ve applied a “funny” voice effect to my guest, but won’t find out until later on.

Sadly, it’s difficult to judge the quality of the Noise Reduction settings, because it’s hard to know which is which.

Potential Connection Issues

I couldn’t connect the receiver to my battered old iPhone without removing the protective case. This would be a bit of a pain if I were using the kit regularly.

I have no issues connecting the Wireless Micro with the phone case on. This is weird because, when I look at both Lightning connectors, there is no noticeable difference, as far as I can see. But, it is what it is, I suppose.

Conclusion: BOYA Mini as a Rode Wireless Micro Alternative

The BOYA Mini makes wireless smartphone audio accessible for anyone looking to do on-the-go recordings or video podcasts.

The audio quality is solid, especially for aspiring, new, and hobbyist creators – you just need to be very careful not to activate the (pointless) voice change settings, which could ruin an entire recording session.

Having to take the phone’s protective case off to get the receiver to work is a real downside. I had a quick look on Amazon, and it seems I wasn’t the only one who had this issue. Maybe the USB-C version is easier to connect than its Lightning counterpart?

In all, the BOYA Mini isn’t the equal of the Rode Wireless Micro, but at way less than half the price, it has a very good stab at it. If you plan to record video or on-the-go, on-location recordings, then this is definitely a worthy option to consider!

Why is a Good Podcast Microphone Important?

It might seem obvious, but it’s a question worth asking – Why bother investing in a good podcast microphone at all?

However you record, there’s no denying that a podcast recorded on a decent-quality microphone is massively more professional than someone blabbering away on a tinny headset mic.

After all, it’s the mic that captures your voice and translates it from physical sound waves into digital bits and bytes.

Just to let you know, all of the product links in this article are affiliate links. That means we get a small commission if you buy anything, but it doesn’t cost you any extra. Don’t worry; we’re always honest, open, and impartial with our reviews – we only recommend the good stuff – but this affiliate income helps us keep the site running.

Should I Choose an XLR or USB Microphone?

XLR and USB simply refer to the type of cable a mic plugs in with. XLR mics are considered to be the more professional, but many USB mics are good enough to go toe-to-toe with them these days. If you buy an XLR mic you’ll need some additional kit (like a USB Audio Interface, Mixer, or Podcast Recorder) to run it into, whilst USB mics work right out of the box. Some podcast microphones actually do both, though, so you can have the best of both worlds!

Should I Choose a Dynamic or Condenser Mic?

The terms “Condenser” and “Dynamic” refer to two different ways microphones are built, and function. Both types of mic have their potential pros and cons. Dynamic mics are often more durable and can handle high volumes without distortion. Condenser mics, on the other hand, are often capable of recording a more crisp and detailed sound. These are broad generalisations though, and there are always exceptions. Here’s our full guide to Condenser Vs Dynamic Mics in Podcasting for a deeper dive on the subject.

Best Podcast Microphones for All Budgets & Prices

We’ve organised this Best Podcast Mics roundup by cost to make your choice as easy as possible.

Budget Level Podcast Microphones for Under $100

A good podcast microphone can cost hundreds of dollars, but luckily, there are many more affordable options.

Don’t let the term “Budget Level” put you off – I only recommend good quality kit! These are relatively cheap, though, and very easy to set up, so they’re well-suited for beginners. But, I know many a veteran podcaster that still uses this kit, even years down the road.

1. Samson Q2U

• Average Cost: $70 (check prices on Amazon)
• Connection: XLR & USB
• Function: Dynamic
• Pros: Our favourite podcast mic of all time
• Cons: Can be difficult to buy in certain regions

The microphone that I often recommend people start off with is the Samson Q2U. This is a really versatile little beast, being both XLR and USB. It’s also a significant quality increase over a cheap headset mic or your internal microphone.

The dual output (XLR & USB) means that you can plug it directly into your computer via USB, recording to Garageband or Audacity. Or, use that USB mic to run an online call with remote guests.

Then later on in your journey, when you get yourself an audio interface or a decent digital recorder, you can change to XLR. The other benefit of the Q2U’s dual output is that you can easily back up your recordings. This means even if one device crashes or runs out of batteries, you’ve still got a copy of your session.

2. ATR2100x

• Average Cost: $50 (check prices on Amazon)
• Connection: XLR & USB
• Function: Dynamic
• Pros: Almost identical to the Samson Q2U
• Cons: Similarly, availability can vary depending on your region

An alternative, and very similar mic, is the ATR2100x. There’s not much to tell between the two, and it all comes down to availability. Depending on where you are in the world, one might be easier to find than the other.

These mics are ideal for heading out and about, capturing live audio interviews.

3. The MXL990

• Average Cost: $70 (check prices on Amazon)
• Connection: XLR
• Function: Condenser
• Pros: Great audio quality at a very low cost
• Cons: Quite fragile, and needs a boom arm to mount it

The MXL990 was the first condenser mic that I owned, and I loved it. I used it for all of my recordings for about two years. It’s ridiculously good value at about $70 and it was worth every penny at the time. Even though it’s a condenser, it was decent in a normal office room, not picking up too much of the room noise. So this is a good choice if you have a reasonably quiet space, and you’re looking for a rich sound on a budget.

4. The Blue Snowball

• Average cost: $45 (check prices on Amazon)
• Connection: USB
• Function: Condenser
• Pros: Nice looking mic at an affordable price
• Cons: Not the best sound quality

The Blue Snowball is an old and famous piece of kit. It, alongside its bigger (and better) brother, the Blue Yeti, is ubiquitous in the world of podcast microphones. There’s no getting around it that you’ll find better audio quality in any other mic mentioned here, but the Snowball’s unique look and cheap price point still make it an appealing option for some hobbyist podcasters.

5. The Shure SM58

• Average Cost: $99 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: Almost indestructible
• Cons: If you’re bothered about aesthetics, this looks more like a “musician’s mic” (predominantly, it is!)

I have to mention the workhorse that is the Shure SM58, just in case you’re looking for a high-quality podcast mic that’s more mobile.

The SM58 is a handheld mic more commonly spotted at music events, usually in the hand of a screaming lead singer. It can be dropped, pounded, drowned and still survive. It also has a built-in pop filter. The SM58 is perfect for anyone that’s looking to do more out-and-about recording than in-studio.

We use the Shure SM58 along with a Zoom H5 or Zoom H6 recorder for all of our in-person interviews (find out more about the setup here). If you think you’d like to take your mic on the road and can budget for a good digital recorder too, then this could be the choice for you. It’ll work just as well in the studio, mounted on a stand, for when that’s called for.

6. The Audio-Technica 2020

• Average cost: $99 (check prices on Amazon)
• Connection: XLR (USB version available, too)
• Function: Condenser
• Pros: Great vocals at a budget price
• Cons: Requires additional gear

A new addition to this best podcast mics roundup, but certainly not a new mic. The Audio-Technica 2020 is twenty years old, but it still more than holds its own in 2024. With the XLR version, you’ll need some sort of interface or recorder to run it through, as well as a stand or boom arm. But at only $99, this mic is tremendous value for money. Our AT-2020 review focuses on the XLR model but a USB alternative is available, and you can buy the mic in a “podcasting pack” with additional gear, too!

Mid-Range Podcast Microphones: $100-$200

These microphones are all you need for podcasting up to six or seven-figure audiences. They are also within the normal podcaster’s budget, and provide great quality recordings to boot.

7. Rode Wireless Micro: Best Smartphone & Video Podcast Option

• Average Cost: $140 (check prices on Amazon)
• Connection: Lightning, USB-C
• Function: Condenser
• Pros: Brilliant pocket-sized smartphone audio
• Cons: Smartphone recording isn’t for everyone

We’ll come across the Rode Wireless Pro in the Premium Podcast Mics section. But here’s a ‘cheaper yet still brilliant’ alternative: The Rode Wireless Micro.

The kit idea is the same: you have two wireless transmitters (the mics) that connect to your clothing and the clothing of your guest or co-host. None of that crude clip nonsense, either. We use magnets here!

Then, you have a receiver that plugs into your smartphone. Depending on your device type, you can buy the Android or iOS model.

This is an amazing kit for video podcasting and on-the go interviews. Read our Rode Wireless Micro review for the full lowdown.

8. The Rode Podcaster

• Average Cost: $170 (check prices on Amazon)
• Connection: USB
• Function: Dynamic
• Pros: Essentially the Rode Procaster, in USB form
• Cons: Needs a boom arm

The price of the Rode Podcaster definitely creeps up a little when you include stands and a shock mount, but you’ll notice a significant difference if you compare it directly with any of the entry-level microphones above. This is what we use in our podcasting studio right now.

If you like the look of the Rode Podcaster, but would rather opt for an XLR mic so you can plug it into things like mixers or digital recorders, then check out its sister mic – the Rode Procaster.

9. The Blue Yeti

• Average Cost: $130 (check prices on Amazon)
• Connection: USB
• Function: Condenser
• Pros: A nice-looking mic on its own stand
• Cons: Easy to use incorrectly

Whilst the Rode Podcaster is a Dynamic, this next one is a Condenser. The Blue Yeti is one of the most popular USB podcast microphones in the world, and it comes in at around $130.

The Blue Yeti offers great quality audio thanks to its condenser capsules. It’s also amazingly easy to use with a plug and play USB connection.

One of its biggest advantages, though, is its range of polar patterns. The Yeti offers settings for solo recording, two-person face to face recording, and group recording. So, it’s flexible and can adapt to just about any situation. For best quality sound, you need to be quite close to the mic, so prepare to get pretty cosy when you’re recording two people or groups.

Lastly, the Blue Yeti comes with its own stand, so it’s a good mic if you want to jump in at the high-end and not have to worry about additional kit. Click here for more info about the Blue Yeti and its various accessories.

The Yeti might not quite match the MXL990 or the Rode podcast mics for sheer quality, but the ease of use and the fact that it’s entirely standalone make it a really serious choice at this level. See our Blue Yeti review for the full lowdown.

It’s also worth mentioning that, in late 2019, the Blue Yeti X was released. This model offers a few upgrades to the original, such as higher recording resolution and an additional condenser capsule. Whilst these are nice technical improvements, the difference in audio quality will unlikely be noticeable to most podcast listeners. That said, as a podcaster, you might prefer the Blue Yeti X over its predecessor due to its improved sleek design.

10. AKG Lyra

• Average Cost: $150 (check prices on Amazon)
• Connection: USB
• Function: Condenser
• Pros: One of the best-sounding USB mics out there
• Cons: Limited availability

The AKG Lyra is a strong competitor to the Blue Yeti, in that it has very similar features, from polar patterns to an in-built stand.

To my ear, it actually sounds better than the Yeti, but it can be harder to pick one up, depending on where you are in the world. If they are available in your region, and you’d like to find out more, then have a read of our full AKG Lyra review.

11. Sennheiser Profile

• Average Cost: $130 (check prices on Amazon)
• Connection: USB
• Function: Condenser
• Pros: Intuitive controls and small size
• Cons: Reported setup issues

The Sennheiser Profile is an excellent microphone for those looking to take their spoken-word audio a little more seriously without shelling out for a more professional setup. It looks and sounds great, the controls are intuitive, and the small size, even if fiddly at times, means you don’t need a lot of desk space for it.

That said, our reviewer Dev did report some setup issues in their review – “Even with the workaround I used for recording, I couldn’t get the mic working with OBS as either input or output. While I’m aware this could be a computer/software issue, the ‘plug-and-play’ ethos of microphones like these imply it should work right away with no problems, and that was not my experience in this case.”

12. PreSonus Revelator Dynamic

• Average Cost: $145 (check prices on Amazon)
• Connection: USB
• Function: Dynamic
• Pros: Works well in less-than-ideal conditions
• Cons: A little pricey for a USB mic

The PreSonus Revelator Dynamic is a mic built with two common podcasting problems in mind – background noise and reverb. That isn’t an excuse to rely on tech to fix poor-sounding and ill-prepared environments, but it’s great backup if you struggle to find a consistent or permanent space to record your show. It isn’t the cheapest option out there, considering it’s USB-only, but its forgiving audio features will make it an appealing option for many.

13. PreSonus PX-1

• Average Cost: $130 (check prices on Amazon)
• Connection: XLR
• Function: Condenser
• Pros: Great podcast mic for recording voice
• Cons: Needs a well-treated environment

The PreSonus PX-1 is perfect for anyone looking to own a Large Diaphragm Cardioid Condenser Microphone without breaking the bank. You’ll want an above-average recording environment for this one, so better to opt for something like the Q9U (below) or the Shure MV7 if you tend to podcast from inside the broom cupboard. See our review of the PreSonus PX-1 to get the full lowdown on this great podcast microphone.

14. Samson Q9U

• Average Cost: $120 (check prices on Amazon)
• Connection: XLR & USB
• Function: Dynamic
• Pros: Versatile, plugs straight into computer, or, into interface or digital recorder
• Cons: Needs a boom arm

We talked earlier about the Samson Q2U. A newer mic on the market is the Samson Q9U which, like the Q2U, can be used in both USB and XLR form. The Q9U sounds better than the (already good sounding) Q2U and doesn’t cost that much more, either!

Samson Q2U Review: Is This (Still) the Best Microphone for Podcasters?

Read article called: Samson Q2U Review: Is This (Still) the Best Microphone for Podcasters?

15. The Rode NT1-A

• Average Cost: $199 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: A low-noise microphone
• Cons: Not an overly-durable build

The Rode NT1-A popped up as a surprise entry in our Gear Stats Survey a couple of years ago. It turned out to be the most popular high-end podcast microphone amongst our respondents. It’s not surprising, really, when you hear the quality it offers, combined with a relatively low price for a mic at this level. You can usually pick one up new for around $200.

The NT1-A is a super-low noise XLR microphone, with a really rich sound behind it. The pack comes with a shock mount and a pop filter, so all you need is a mic stand and a recorder, audio interface, or mixer to get it up and running.

Fans of the Rode NT1-A might also be interested in the Rode NT-USB and the Rode NT-USB Mini. You can plug multiple NT-USB Mini mics into your computer at the same time and record them in multitrack using Rode’s free Connect software.

Premium Podcast Microphones for Over $200

At this level, we’re starting to look at some serious cash. These are microphones that wouldn’t look out of place in a professional recording studio. These are probably overkill for most podcasters, even if you’re broadcasting to millions. Take Tim Ferriss, for example – millions of downloads per episode and still mostly recording on an ATR2100 or an SM58, last time I looked.

16. The Shure SM7b

• Average Cost: $380 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: One of the highest-quality podcast mics out there
• Cons: Needs a strong preamp to optimise it

The Shure SM7b is a legendary mic in the industry. It’s one that discerning audiophiles hold in great esteem. And yes, it does indeed live up to the hype.

But one barrier to using the SM7B (aside from the price) is that it needs a strong preamp to get the most out of it, so you’ll likely need to invest in additional gear and add extra components to your setup.

Presuming you can do that, though, and you can afford the cost, this is one hell of a microphone.

17. The Shure SM7db

• Average Cost: $500 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: Like the SM7b, but with a built-in preamp
• Cons: Costs even more than the SM7b

Shure recently built a solution to the SM7b preamp problem called the SM7db. This mic is essentially the legendary SM7b with its own preamp built-in, offering users up to +28 dB of gain at the flick of a switch. The SM7db costs more than the SM7b, but it gives you the freedom of being able to run it through a much wider variety of audio interfaces. Check out our full Shure SM7db review for the lowdown.

18. The Shure MV7+

• Average Cost: $280 (check prices on Amazon)
• Connection: XLR & USB
• Function: Dynamic
• Pros: Similar to the SM7b, but cheaper and more versatile
• Cons: Not the strongest of signals when used in XLR form

The original Shure MV7 – marketed as offering “perfect sound in imperfect rooms” – quickly became one of the most popular podcast mics. Nevertheless, Shure saw fit to update it in 2024 with their release of the MV7+. Just like its predecessor, it works as both a USB mic AND an XLR mic, so you can plug it directly into your computer, or, via a USB audio interface or digital recorder. If you’re intrigued, check out our review of the Shure MV7+ to find out more.

19. Shure MV7i: It’s also an audio interface!

• Average Cost: $349 (check prices on Amazon)
• Connection: USB
• Function: Dynamic
• Pros: Plug a 2nd XLR mic in, and it becomes an audio interface
• Cons: Problems when testing on Windows laptops

Whilst the overall quality of podcast mic options has never been higher, genuine innovation is hard to come by. Sometimes, it seems like everything has already been done.

However, Shure really pulled off something unique with the MV7i. It’s a USB mic based on the aforementioned MV7+, but it has an XLR OUT jack on it.

XLR OUT doesn’t mean you can use it as an XLR mic – it means you can take any XLR mic you have, plug it in, and run it into the MV7i as if it were a USB audio interface!

This is a really cool way to give you options for a two-mic setup without needing additional gear. And, being based on the MV7+, it can work well as a standalone mic, too.

With that said, the mic performed well on a MacBook for us, but not so great on a couple of laptops, so this might be one to avoid unless you’re an Apple user.

20. Rode NT1 5th Gen

• Average Cost: $250 (check prices on Amazon)
• Connection: XLR/USB
• Function: Dynamic
• Pros: 32-bit float digital output makes it “unclippable”
• Cons: 32-bit floating only works in USB form.

A new kid on the block from gear giants Rode, the NT1 5th Gen works as both a USB and XLR microphone. One of the standout features of this mic is the ability to work with a 32-bit float digital output if used in USB form. Whilst that term might not sound very exciting, it basically means that the mic is “unclippable”. As Rode say themselves, this is “a revolutionary recording format that allows you to record everything from a whisper to a scream, the softest guitar to the loudest drummer without having to worry about setting your gain – simply adjust your audio after recording and all the dynamics of your performance will be maintained, with zero risk of clipping or distortion.”

Check out our Rode NT1 5th Gen review for the full lowdown and some sound samples.

21. Apogee HypeMic

• Average Cost: $350 (check prices on Amazon)
• Connection: USB
• Function: Condenser
• Pros: Built-in Compression features
• Cons: Very expensive for a USB-only mic

The Apogee HypeMic boasts built-in Compression tools, giving you the ability to boost and level out your voice without the need to do it in software in post-production. However, our reviewer Sarah described these settings as “hit or miss” for podcasters. Overall, this is still a good mic, but at this price point, you’d hope it would be!

If you have $350 to spend on a mic, then your money will go a lot further with something like the Rode NT1 5^th Gen or the Shure MV7. In fact, both are $100 cheaper and will work in XLR form, as well as USB.  

22. The Heil PR40

• Average Cost: $375 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: Premium sound quality, even in less-than-ideal environments
• Cons: Hard to justify the price

The Heil PR40 is touted by many high-level showrunners as the go-to podcast mic for anyone who wants the best sound they can get. I won’t deny it’s a good microphone, but I will say it’s a bit overhyped.

The sound quality is good, and, being a dynamic mic, it’s a great fit for the non-professional environments most of us are recording in. So, if you can get your hands on one to test it out, either borrow or on sale and return, then definitely give it a try.

23. The Electro-Voice RE20

• Average Cost: $450 (check prices on Amazon)
• Connection: XLR
• Function: Dynamic
• Pros: Amazing sound quality
• Cons: Extremely expensive

The Electro-Voice RE20 is a mic with a very loyal following… If you know an Electro-Voice fan, you’ll know this to be true!

The EVs are certainly amongst the best microphones in podcasting, or the world of audio in general!

Those who love the EV speak fondly of its rich tones, depth, and resonance. There’s a body to the recordings that’s as memorable as it is undefinable.

You’ll pay for this sound quality, of course. The EV microphones are NOT cheap. But they’re world-class equipment and justify the cost. If you’d like to read more about the mic, and hear some samples, then you can read our Electro-Voice RE20 review here.

The RE20 also has a little cousin in the form of the EV R320 – not a mic we’ve managed to test ourselves before, but a few people we know use it and speak highly of it!

24. Rode Wireless Pro

• Average Cost: $430 (check prices on Amazon)
• Connection: USB, DSLR, Smartphone, & more
• Function: Condenser
• Pros: Gives you a lot of kit, and a lot of options
• Cons: Costly, and unnecessary for most podcasters

The Rode Wireless Pro is Rode’s premium wireless option, succeeding the Rode Wireless Go and Wireless Go II.

This is more a full kit than “a mic” – you actually get four mic options in the box. You can record directly into the two transmitters, or, plug in the two included Rode Lavalier II mics instead.

The receiver can plug into pretty much anything, from your phone or computer to a DSLR camera. It receives (the clue is in the name) the audio from the transmitters, but the transmitters themselves can both independently store over 40 hours of audio.

The kit has a “safe” range of up to 260 metres. In our Rode Wireless Pro review, you’ll find out more about that distance, including the fact that it’s longer than a row of eight blue whales. This makes it an ideal kit for podcasters who record on the move in varying environments. But, by contrast, it isn’t something you’ll need if you record in the same room each week.

25. Rode Interview PRO

• Average Cost: $249 (check prices on Amazon)
• Connection: USB/Wireless/Standalone
• Function: Condenser
• Pros: Brilliant portable handheld mic
• Cons: Needs a Rode transmitter (not provided) to use it in its wireless form

The Rode Interview PRO is the latest from a long offering of quality Rode mics that are perfect for podcasters. If you love the thought of roaming an event or conference, mic in hand like a sports reporter, then the Interview PRO could be perfect for your needs. It has on-board recording so no cables are needed, though to transmit your audio on a wireless basis you’ll need to own a compatible Rode transmitter, which isn’t included with the mic. Check out Sarah’s Rode Interview PRO review for more info.

26. Lewitt RAY

• Average Cost: $350 (check prices on Amazon)
• Connection: XLR
• Function: Condenser
• Pros: Keeps you sounding “on mic” even when you move further away
• Cons: High cost

The Lewitt RAY is one of the most unique mics in this roundup. After all, which other models can boast of having their very own laser built-in? (spoiler – none!).

So, what’s this laser all about? Well, it can keep track of where you are in front of the mic and adjust your sound accordingly if you start getting further away. It can also automatically mute you if you get too far away. These are novel features that can come in super handy in the right circumstances. Check out our full review of the Lewitt RAY for more info.

What Are the Most Popular Podcast Microphones?

According to our 2024 Podcaster Gear Survey (and backed up by previous years’ data), The Blue Yeti is quite comfortably the most popular mic amongst podcasters. This doesn’t make it the best podcast mic (not by a long shot), but you can get good results from it if you use it properly. The Samson Q2U comes in second and is a brilliantly affordable option for almost all new podcasters.

Strengthen Your Setup: Headphones, Audio Interfaces, & Microphone Stands

Podcast microphones don’t work in isolation, and you can use various bits of kit and gear to power, support, or enhance them.

Headphones are a must for any podcaster. Use them for monitoring recordings so that you can hear exactly what’s being recorded, as it’s being recorded. Then, use them to edit and produce your audio, too. Check out our guide to the best podcast headphones for more on this.

If you’re using a digital mic, you’ll need a computer to plug your USB cable into. There’s every chance you already have a computer, but bookmark our best computer for podcasting and best laptop for podcasting guides should you ever need to upgrade.  

If it’s an XLR mic you plan to use, then you can’t plug an XLR cable directly into your computer. Instead, you can buy a USB audio interface to link it all together, giving you greater control, flexibility, and a wider range of options. Depending on the model, you can plug two or more mics into your interface, making them ideal for recording local co-hosts or guests. Some will even include a separate headphone jack for each participant.

Most podcast microphones mentioned here will also be optimal when mounted on a stand or boom arm. Check out our guide to the best boom arms, which offer the most flexible and professional-looking setups for mic mounting and podcast presentation.

Podcast Microphone Polar Patterns

Mic polar patterns are also known as pickup patterns. These are settings which determine the areas a microphone “hears” sound. For example, a cardioid polar pattern will focus mainly on the front of the mic whilst rejecting some sound from around the back. This makes the cardioid pickup pattern ideal for voice recordings, and almost every mic mentioned here either has it by default or makes it available in its range of settings. Check out our full guide to microphone polar patterns to learn more.

Background Noise, Mic Technique, & Sound Quality

It’s not purely about which mic you buy – it’s about where and how you use it. Though there’s nothing wrong with ambient noise, you want to avoid distracting background noise in your podcast, which means optimising your recording space. Make a habit of using your mute button, too, whether that’s built into the mic, or in your recording software. We can edit out and clean up after the fact, but many disturbances don’t need to make it into your recording in the first place.

Mic technique is also pivotal to your audio quality. You want to maintain an appropriate distance, avoid handling or hitting the desk, and use a pop filter if you love to record in close proximity.

Looking for Help With Your Podcast?

Did you know we have courses on all aspects of launching and growing a show over at Podcraft Academy? Not only that, we run weekly Q&A sessions, too, so you can always get the help, advice, and answers that you need!

Quick Question Time: The “Best Podcast Mic For”… FAQ

Here we answer frequently asked questions to help you choose your perfect podcasting microphone.

Best Dynamic Microphone for Podcasting?

For best overall, go Electro-Voice RE20. For best value, go Samson Q2U.

Best Condenser Microphone for Podcasting?

For best overall, go Neumann U87. For best value, go MXL990.

Best Podcast Microphone for Mac?

I’d say the AKG Lyra, but any of these USB Mics will do.

Best Durable Podcast Mic?

It’s got to be the Shure SM58, eh?

Best XLR Microphone for Podcasting?

For best overall, go Electro-Voice RE20. For best value, go Samson Q2U.

Best USB Microphone for Podcasting

For best overall, go Shure MV7+. For best value, go Samson Q2U.

Best Mics for Multiple USB Use

You can run multiple Rode NT-USB Mini mics into the Rode Connect software.

Best Mic for an Echoey Room

The Shure MV7+ and PreSonus Dynamic Revelator can perform well on this front. Always try to sound treat your room as best you can, though.

Best Shotgun Mic for Podcasting

We love the Zoom SSH-6 capsule for the Zoom H6 recorder.

Best Portable Podcast Microphone

The Rode Interview PRO is the best quality overall. But see below.

Best Lavalier Microphone for Podcast

The Rode Wireless PRO or its little brother, the Rode Wireless Micro.

Best Smartphone Microphone

The Rode Wireless Micro, for either Android or iOS.

Best Microphone for Video Podcasting

Again, the Rode Wireless Micro takes the crown.

Best Headworn Microphone for Podcast

The Sennheiser PC 8 USB Headset, but if you already own a good pair of headphones, opt for the Antlion ModMic USB attachment.

Best Omnidirectional Microphone for Podcast

Tricky as you should avoid sharing a mic. Solo-use omnidirectional mics are usually lavaliers like the Rode Wireless Micro.

Best Bluetooth Podcast Microphone

The SmartMike+ is a decent budget option. You can also create a great Bluetooth setup using the Zoom PodTrak P4.

Best Microphone for YouTube

There are so many video variables here, so best to check out our dedicated guide to the Best Microphones for YouTube to find the scenario that best suits you.

Next up in the Quest to Sound Your Best… Recording

Choosing a podcast microphone means you’ve something to record with. But there are a few additional steps in the recording chain.

Using an XLR mic and need something to plug it into? Here are your 3 options…

• Best USB Audio Interfaces
• Best Podcast Mixers
• Best Digital Recorders

And, if you’re recording directly into your computer you might fancy trying out Alitu. Alitu is an all-in-one podcast maker tool that lets you record (solo or remote calls), edit, and publish episodes from directly inside its interface. Alitu does all the production magic (EQ, Noise Reduction, Volume Levelling) for you automatically too, so you can really enhance the sound of your shiny new podcast mic without knowing the slightest bit about audio engineering!

Try Alitu free for 7 days and see for yourself.

I’ll take a look at some of the best lavalier mics on the market so you don’t waste your hard-earned money. If you’d like to learn a bit about what makes lav mics such a good option for podcasters, then I get into what they are, how they work, and why they suit later on. Feel free to jump ahead to that if you’d like all the background info. Otherwise, let’s crack on with our best lavalier mic recommendations.

Best Lavalier Mics for Podcasters

A quick heads up before we dive in: We use some affiliate links in our posts, which help support all of our free content, but these never cloud our judgment when it comes to honest opinions and recommendations!

Rode Wireless Micro: Our Most Recommended Lavalier Mic

There are no overall best options that suit absolutely everyone in podcasting, but the likelihood is that the Rode Wireless Micro is probably what you’re looking for.

It’s very similar to the Rode Wireless Pro (the super fancy premium option we’ll cover next) but designed predominantly for smartphone use and is also a lot cheaper.

You can pick up either the Android (USB-C) or iPhone (Lightning) version of the Rode Wireless Pro for around the same price, and it’ll give you first-class audio right into your smartphone.

Check out our Rode Wireless Micro review for the full lowdown on our most recommended lav mic for 2025. Or, see the BOYA Mini as a great budget alternative.

• Costs: £140/$145
• Works With: Smartphone, computer
• Connection: USB-C or Lightning
• Powered By: Battery (USB charged)

Rode Wireless Pro: Highest Quality Lavalier Mic

The Rode Wireless Pro is a phenomenal piece of kit, so it’s much more than “a lav mic”. Lavaliers are just one option amongst many here, as there are two Rode Lavalier II mics in the box. You can record via those or directly into the transmitters, which pin onto your clothing like any other lav (except in a much cooler way, as they use magnets to attach!)

There’s a receiver which can plug into your smartphone, computer, recorder, DSLR, or any other piece of gear. But, each transmitter also stores its recording, giving you an almost infinite number of options.

You can get the full lowdown in our Rode Wireless Pro review, but one last thing to mention here is its 32-bit floating technology, which protects your audio from distortion caused by overly loud sounds or sloppy gain settings.

Naturally, such a brilliant kit doesn’t come at an entry-level price. But considering all you get (and all the options you have), it’s a pretty great deal. If you love the wireless concept but need something cheaper, then check out the Rode Wireless Micro as an alternative.

• Costs: £370/$400
• Works With: Recorder, computer, smartphone, DSLR
• Connection: Has a cable for every situation
• Powered By: Battery (USB charged)

BOYA Mini: Budget Wireless Smartphone Lavalier

If you’re on a very limited budget and $145 for the Rode Wireless Micro seems too much of a stretch, then the BOYA Mini is a more affordable alternative.

Whilst it has a few odd features (AI Voice Changer could be a disaster waiting to happen), on a sound quality basis, it really competes with the Wireless Micro. The BOYA Mini comes in the same style of super handy carry and charging case, which is actually even smaller than Rode’s. See our full BOYA Mini Vs Rode Wireless Micro comparison for more details.

• Costs: £53/$55
• Works With: Smartphone, computer
• Connection: USB-C or Lightning
• Powered By: Battery (USB charged)

Rode Lavalier II

I mentioned the Rode Lavalier II, which comes as part of the Rode Wireless Pro kit, and on its own, this is also a solid lav mic option for podcasters – especially if the Wireless Pro seems like overkill (and over budget) for you.

• Costs: £84/$82
• Works With: A digital recorder, receiver, or mixer, or directly into your computer
• Connection: 3.5mm
• Powered By: Plug-in power

Here’s a sound sample of the Rode Lavalier Go from the Rode Wireless Pro review…

Rode Lavalier Go

At risk of this turning into the Rode show, here’s yet another option from the company – the Rode Lavalier Go. It’s fairly similar to the Rode Lavalier II, with a few small exceptions:

• The Lavalier II mic is slightly bigger and feels more durable
• The Lavalier II has a screw lock to prevent it from being yanked out, mid-recording
• The Lavalier II costs about $25 more

The Rode Lavalier Go is a great ‘all-rounder’ lavalier mic option, and it seems to tick every box in terms of sound quality, build, and price. See our review of the Rode Lavalier Go to get the full lowdown.

• Costs: £43/$54
• Works With: A digital recorder, receiver, or mixer, or directly into your computer
• Connection: 3.5mm
• Powered By: Plug-in power

The Movo LV8-D XLR Lavalier Microphone

The Movo LV8 is theoretically a more pro-level lavalier microphone than the others here, coming with an XLR connection as standard. This means it plugs directly into a high-quality recorder like the Zoom H5 or the Zoom H6, with no adapters required. Another bonus is that it can then be phantom-powered, so you get a really nice level of gain.

We tested out the Movo LV8 mics and found them to be a decent option if you have an XLR recorder. We did end up with one broken unit, but I’m sure that was just bad luck, and the other unit was great quality and with a solid build.

• Costs: £75/$70
• Works with: Digital recorder or interface with XLR input
• Connection: XLR
• Powered by: Phantom power

Giant Squid Podcasting Omni Stereo Lavs

The Giant Squid Podcasting Omni Stereo mic is a unique, hand-built model that feeds two quality lav mics into one plug, and provides a stereo recording.

It’s ideal for interviews and co-hosted podcasts which are recorded locally. The mics will record on either side of a stereo track, which can be split in post-production, offering independent control over their levels.

• Costs: From $66
• Works With: A digital recorder or mixer, or directly into your computer
• Connection: 3.5mm
• Powered By: Plug-In Power

The Best Lavalier Mics for Smartphones

Plan to podcast exclusively with your smartphone? Our top options, the Rode Wireless Pro and Rode Wireless Micro, are perfect for this type of setup. But they’re not the only options.

The BOYA BY-M1 Smartphone & Digital Camera Lavalier

So, this is definitely the budget option in this best lav mics roundup.

The BOYA BY-M1 is similar to one of our favourite (non-smartphone) lavalier mics in many ways – the (sadly now discontinued) ATR3350.

It has a 6m (236″) long cable, which, like the 3350, can be a curse or a blessing, depending on whichever way you look at it.

• Costs: £15/$15
• Works With: Smartphones, digital cameras, camcorders
• Connection: 3.5mm (TRRS)
• Powered By: Cell battery

The Rode SmartLav+ Lavalier

Price – $60/£55

The Rode Smartlav+ is perhaps the best-known of all smartphone lavalier mics, building on the reputation they built with the original Rode Smartlav.

The Smartlav+ is powered by your phone, so doesn’t need its own battery. This means you’ll need to turn the gain up a little higher than if you were using a self-powered mic like the BY-M1.

The Smartlav’s cable is the shortest of the three of our Smartphone lavalier mic options here, with a length of 115cm (45″). This can be a little awkward if you’re recording a video on your phone while using the mic. But, for many, less cable means less complications!

• Costs: $60/£55
• Works With: A smartphone
• Connection: 3.5mm
• Powered By: Plug-In Power

The Shure MVL Smartphone Lavalier

Shure are a legendary microphone manufacturer. Traditionally a major player in the analogue mic world, they’ve released a handful of USB and smartphone models in recent years as the digital media world continues to grow.

The Shure MVL is their take on the smartphone lavalier, and it’s pretty similar to the Rode Smartlav+ in many ways.

It’s also a ‘plug in and play’ with no battery requirements.

The Shure MVL’s cable length is 50″ (127cm), making it slightly longer than the Rode Smartlav +, though both fall miles short of the BOYA BY-M1 on this front.

• Costs: $70/£60
• Works With: A smartphone
• Connection: 3.5mm
• Powered By: Plug-In Power

Comparing Smartphone Lavalier Sound Samples

Here are all three clips running one after the other: the BOYA BY-M1, the Rode Smartlav +, and the Shure MVL.

These clips were recorded with the Shure MOTIV app on the iPhone 5.

The Smartlav+ and MVL sound samples were recorded with the gain set to 100%, whilst the BY-M1 was recorded at 77%.

If you’re podcasting with your smartphone, be sure to download a recording app that lets you set your gain manually. Otherwise, you can end up with clipped and lower quality audio.

All three samples were normalised to -3dB in Adobe Audition. No cleaning, EQ, or any other post-processing was applied.

The samples were recorded in the office, rather than the studio. As lavs are often an on-the-go option, you’ll rarely record in properly sound-dampened conditions.

Now that we’ve run through our best Lavalier mic options let’s tackle some frequently asked questions about this type of kit.

What Are Lavalier Mics?

‘Lav mics’, as they’re often known (or collar mic, body mic, lapel mic), are most commonly associated with TV and film work. They’re really small microphones which pin to the speaker’s clothing, and I’m sure you’ve seen one attached to your favourite news reporter at some point.

In television, a big part of their appeal is that they are easily hidden or disguised. This makes them a great fit for video podcasting, but audio podcasters can really benefit from using them, too. Here are some reasons why:

1. They are very small, light, and portable. Not everyone has a permanent recording space, so using a lavalier microphone or two can be great for the ‘whenever, wherever’ podcaster who records in the car, out walking, etc.
2. They are excellent for conducting location interviews. Many people can be engaging speakers until you hold a microphone in their face, and they seize up. Lavalier mics are much less intimidating and lead to a more natural conversation.
3. Smartphone lavalier microphones have really taken off now, so you don’t even need a recorder. That means your recording kit can be small enough to fit in a shirt pocket. Talk about mobile!

With that said, let’s crack on and take a look; what’s the best lavalier microphone for your situation?

What Are We Looking for in a Good Lavalier Mic?

Sound quality, background noise, and durability are priorities for any podcast mic recommendations. Lav mics can have other pros and cons, too, from flimsy, easily broken clips, to short cables or ranges if they’re wireless.

Most lavalier mics will plug into and run through a digital recorder, mixer, or computer. Sometimes, they will run on ‘Phantom Power’, which we’ll cover shortly. Smartphone lavs (which, funnily enough, plug directly into your smartphone) are becoming increasingly popular too.

Smartphone Lavalier Microphone vs Standard Lavalier Mic?

This is a good question, and a big potential confusion. There are loads of different lavalier mics on the market, and not all of them will work with your smartphone.

Lavalier Mics For Older Smartphones

Smartphones have changed considerably in the past decade. Older smartphone lavaliers would plug in via 3.5mm headphone jacks, which you rarely see nowadays.

If you still have an older model with a 3.5mm jack, then looking at a lav mic’s plug is an easy way to tell if one will work. If it has two little bands around it, then it’s a TRS plug (tip-ring-sleeve) and won’t work.

If it has three little bands around it, though, as seen in the illustration, then it’s a TRRS (tip-ring-ring-sleeve) and should work with your older smartphone.

This is basically because we plug a smartphone lav into the device’s headphone jack, which is predominantly an output. Having that extra ring on the plug means it can act as both an input and an output at the same time.

That’s why you can talk through the mic on the default set of earbuds you probably got with your phone – because it’ll be a TRRS plug on there.

Rode has an adapter – the Rode SC4 – which lets you turn a TRS plug into a TRRS so you can use non-smartphone lavs into your phone this way.

This is a handy option in a pinch, but if the lav you’re using isn’t battery-powered, you can end up with a very weak signal in your recording. So, if you’re recording on your Smartphone, it’s generally wise to stick to specific smartphone lavalier microphones.

Lavalier Mics for Smartphones Without Headphone Jacks

The 3.5mm jack is becoming less common on smartphones nowadays. Your phone might have a Lightning or USB-C connection instead.

As we covered at the very beginning, the Rode Wireless Micro and Rode Wireless Pro are superb options for the more modern smartphone. And, as you can no doubt guess from their names, they are fully wireless, too!

Using 2 Older Smartphone Lavaliers at the Same Time

If you already own a couple of older (3.5mm) lavalier mics into your phone, you’ll need an adapter to use them both at once.

In the past, we recommended the Rode SC6 for this. But, as you’ll know by now, many new smartphones don’t even have a 3.5mm jack.

With that in mind, a great alternative is Rode’s AI Micro. It’s a recording interface so small it can fit in your pocket. It weighs in at a whopping 13 grams, and you can plug it into your smartphone, too. In our dedicated Rode AI Micro review, Sarah tested it with a few different lavalier mics. Check it out, take a listen, and see if it’s for you.

Obviously Rode will have designed the AI-Micro for use with their Smartlavs, but it works with any other TRRS mic too, such as the MVL or the BY-M1.

You can mix and match your mics here, but for a more consistent sound level, I’d recommend using two of the same microphones if you can.

Choosing your Lavalier Microphone

If you’re looking for a Lavalier microphone to record podcast episodes or interviews, then, for me, you’ve got three choices.

If you want to record on your Smartphone, especially with in-person guests or co-hosts, the Rode Wireless Micro is the standout choice. But, you might see the BOYA Mini as a viable alternative if your budget is super tight.

BOYA Mini Vs Rode Wireless Micro: Smartphone Audio Made Easy

Read article called: BOYA Mini Vs Rode Wireless Micro: Smartphone Audio Made Easy

Or, if you’re looking for the best possible wireless lavalier kit with options to record into any digital recorder, mixer, or interface, you might consider splashing out on the Rode Wireless Pro. It isn’t cheap, but for what you get and what it does, it’s still tremendous value for money!

Need More Help With Your Podcast?

We have support spaces and feedback tools inside our Podcast Host Academy. You can ask all of your gear questions in there, and we’ll help you make the right choice and get it all set up correctly.

Alongside that, we have a wide range of courses, from launching your show to growing your audience and monetising the result. Join us, and we can help you build a successful podcast!

“Choose your tools carefully, but not so carefully that you get uptight or spend more time at the stationery store than at your writing table.”

Natalie Goldberg.

You can break podcast equipment into categories based on how you record and capture your voice, from mic to mixer to recorder to computer.

The recording process can be as straightforward or as complicated as you like. You can record right into your computer without any mixers or recorders. Or you can go the full studio route.

If you use minimal kit, the process will be simple, but you’ll also have less flexibility and control. This isn’t an issue for most aspiring podcasters, though, as they’ve no intention of becoming an audio engineer – they just want to get their message out there.

If you fall into that bracket, this podcast equipment and setup guide is for you. Here, we’ll look at what you might need and why you might need it when you’re planning to start your first podcast…

If you need to zoom out first, see everything you need to record a podcast, from planning to software.

Types of Podcast Equipment (And Why Podcasters Might Need Them)

Let’s run through the various pieces of equipment commonly used to record a podcast, then. We’ll start with the microphone, then look at things like recorders, USB interfaces, and even headphones. Let’s dive in…

Microphones: Podcast Equipment & Setup

When you think about a microphone, you might imagine the typical musician’s mic. And while you can absolutely use one of these to podcast, it’s worth noting that mics come in many forms, shapes, and sizes.

The bottom line is that a microphone is simply the tech needed to “hear” your voice and send it to be recorded somewhere. This makes it the first part of our recording “chain.”

So, what options are available to us when thinking about our microphone?

Here are the main types, with links to our guides. Or, read on to get a summary.

• Read More: Best Podcast Microphones of every kind
• Read More: Best USB Microphones for Podcasting
• Read More: Best Headset Microphones

Most Popular Podcast Mics

Our Podcast Gear Survey revealed the three most popular podcasting mics in 2024. Popular doesn’t necessarily mean “best”, so here are our brief thoughts on each:

1. Blue Yeti (USB) is a mic that can be easy to use incorrectly, and you’ll get better value for money elsewhere.
2. Samson Q2U (USB & XLR) is probably our most recommended podcast mic and an excellent option for most podcasters.
3. Shure MV7 (USB & XLR)—This is a great mic, but it’s expensive if you’re just starting out.

USB Microphones

A common and simple piece of podcast equipment is the USB microphone. Often, these are condenser mics (as opposed to dynamic microphones), which plug straight into your computer via – oddly enough – a USB cable. USB mics are ideal for beginners, especially folks who do solo/monologue-style shows and those running online interview podcasts. Almost all of these mics have a Cardioid polar pattern, which means they are designed to pick up the voice of one single speaker at a time.

XLR Microphones

XLR mics require additional equipment to operate. They don’t plug straight into your computer but instead into an interface, preamp, mixer, or digital recorder (more on these later).

You can actually get interfaces, mixers, and digital recorders in USB form, though. So you can run an XLR mic into your computer, just not directly.

XLR mics are suited to folks who want premium audio quality and a lot more production flexibility, as well as those who don’t want to be tied to a computer at all times.

Condenser or Dynamic Microphones: Best Quality?

Whilst XLR and USB tell us how the mic is connected (and what it’s connected to), the terms “condenser” and “dynamic” tell us how the mic is built and how it functions. XLR and USB mics can be either dynamic or condenser, though it’s common for USB mics to fall into the latter category.

We have an in-depth breakdown of the difference between dynamic and condenser mics, but the succinct (and highly simplified) version is this:

• Dynamic – more robust, more forgiving of sub-optimal environments.
• Condenser – more nuanced for vocal recordings.

There’s no “best” answer here – only what works best for you.

Wireless & Lavalier Mics

Not every podcaster records at a computer or standing at a mic stand in a studio. There are situations where some creators need a little more flexibility. Take someone who does a Yoga series, for example. They will be in all sorts of dynamic poses during a recording session.

Then, there are podcasters who record on the go, wherever they can. These creators need podcast equipment that’s quick, flexible, and portable. That’s where lavalier and wireless mics come in.

Lavalier (or ‘lav’) mics are typically seen on TV – think of the wee cable pinned to the chest of a newsreader. Newer lav mics tend to be wireless models, too, making them even more streamlined, discreet, and convenient.

The Rode Wireless Pro is the Gold Standard of wireless mics in podcasting as both its transmitters (the mics themselves) act as standalone recorders that can capture audio files, whilst also sending the signal to a recorder via the receiver.

The Rode Wireless Pro even has a feature known as ‘32-bit floating’, making it almost impossible to distort your audio, even if you’re way too loud and your gain is set too high.

A kit like the Rode Wireless Go would be perfect for co-hosts exploring ruined buildings or open natural environments. But, there are other options for such portability, too…

Recording Devices That Include Mics

You probably already carry a mic around with you on your smartphone. Adding the Rode Wireless Micro can turn this into a professional podcast setup. This kit is ideal for on-the-go recording and location interviews.

The Rode Wireless Micro is based on the Rode Wireless Pro, but much cheaper, and you can get an Android or iPhone version, depending on your device.

Phones and laptops have built-in mics that some would consider good enough for podcasting. As is commonly the case with audio, the “good enough” part is entirely down to your own opinion.

Alternatively, there are many high-quality digital recorders on the market. You can record directly into these or plug additional mics into them. Again, these are great options for someone looking for a flexible and portable setup.

Recorders: Podcast Equipment & Setup

Speaking of digital recorders, we now need podcast equipment for actually capturing and storing your audio. This could be anything from a phone to a computer to a dedicated digital recorder itself.

Digital Recorders

A dedicated digital recorder is an excellent option for podcasting on the go whilst offering a level of sound quality above that of a smartphone.

On top of that, digital recorders offer many more settings and options for creating audio because that’s what they’re built for.

You don’t necessarily need an additional mic to record into one because most of them come with built-in mics, too.

Computers

Many options are available for recording directly into a computer. You can use a DAW (Digital Audio Workstation) like Audacity or Adobe Audition. Or, if you’re looking to record online/remote interviews, there are plenty of call recording options on the market nowadays, too.

If you’re in the market for something optimal, you might also want to look at our best computers and best laptops for podcasting.

Smartphones

There are a ton of recording apps out there that enable you to record directly into your phone. You probably have a default recording app on your phone already, but here are a few options if you want to upgrade your sound and range of flexibility.

• Best Audio Recording Apps for Android
• Best Audio Recording Apps for iOS & iPhone

Recording into a phone can be really convenient, though it lacks the flexibility and options of a dedicated digital recorder. Nevertheless, it’s often a great starting point for many, and you can always upgrade your equipment further down the line.

Mixers & Audio Interfaces: Podcast Equipment & Setup

You don’t actually need an interface or mixer to podcast, but here are some reasons you might want one:

• If you want to use an XLR mic.
• If you want to use multiple mics.
• If you want to record live, or “as live” – with all your music, SFX, etc. played in real-time.
• If you want to incorporate multiple audio sources into your recording.

There are many good USB audio interface and podcast mixer options on the market. Here are the three most popular:

• Focusrite Scarlett 2i2 – a brilliant little USB interface, I’ve owned one for nearly 15 years.
• Zoom PodTrak P4 – an excellent podcast-focused device that lets you connect up to four XLR mics and record phone calls.
• Rodecaster Pro – a pricey but premium quality all-in-one podcasting interface.

Headphones

Headphones are a vital part of the podcast equipment lineup. More than 70% of podcasters record with headphones on.

You should constantly monitor your recordings, even when doing a solo show. This means using headphones while recording so you can hear exactly what’s being captured. The benefit of this is that if there are issues, you can fix them right away.

If you run an online interview show, you’ll also need headphones to hear your guests. They come in handy for listening back to recordings and editing audio, too. Check out our best podcast headphones roundup for a few great options.

Acoustic Treatments

You can have the best podcast equipment and setup in the world, but if you stick it all in a poor-quality room, your show will sound terrible.

Acoustic treatment for reverb in your room is key. We have a full guide to setting up your podcast home studio that includes everything from utilising acoustic blankets to popping your mic into a cat bed or building a “cloffice” space.

If you get your environment on-point, even the most no-frills budget podcast setup can sound top-class.

Other Podcasting Gear: From Pop Filters to Boom Arms

Podcasting equipment rarely works in isolation, and you can add a few other pieces to your setup to really enhance your sound.

Even if your mic has a built-in pop filter or windshield, experimenting with an external one is still a good idea. This means you can get up close with the mic, giving your voice a more intimate sound, without popping plosives everywhere.

A pop filter will attach to your mic stand or boom arm. These are also good bits of kit for your podcast setup because they help eliminate handling noise.

There’s a whole new world of cables and connectors to explore, too. Though, fear not, you’ll almost always be using XLR or USB!

Podcast equipment will only work as well as you use it, and these additional gizmos can help make your show sound more professional overall.

Editing, Audio Production, & Publishing

Once your content is recorded, we begin the podcast editing and production phase.

When we get to this stage, the “podcast equipment” side of things is really just as simple as a computer or laptop. Now, it’s more about software and digital tools.

Audacity

Audacity is the most popular podcast recording and editing software, and it’s free, too!

Audacity allows you to edit and produce in multi-track. These tracks can be used to move around and position various audio files to build your final episode. You can also save these sessions as projects or templates, too. So you can have your music, transitions, and effects in place for each new episode.  

Audacity doesn’t have a call recorder or podcast hosting built-in, though. If you’re looking for more of an all-in-one platform that’s more beginner-friendly, too, then check out Alitu…

Alitu

“Podcast Maker” software Alitu makes it easy to record, produce, and publish your podcast, even if you know nothing about audio. Again, you’ll just need a computer to run it.

Alitu has a built-in call recorder, and it’ll automatically do all the levelling, noise reduction, compression, and EQ for you. Alitu even has text-based editing, where it auto-generates transcriptions of your episodes. Any text you delete will also remove the corresponding audio!

Finally, you can even host, publish, and distribute your podcast via Alitu’s hosting. That means you can push your episodes out to Apple Podcasts, Spotify, and countless other podcast-listening apps without leaving your Alitu dashboard.

Podcast Equipment FAQ

We get asked a lot of questions about podcast equipment in our IndiePod Community. Here, we’ll answer some of the most frequent.

What’s the Best Podcast Equipment Setup for Podcast Interviews?

Podcast interviews are done either locally (in person) or remotely. If you’re going remote, your setup can be as simple as a USB mic. You’re essentially recording like a solo podcaster and relying on remote recording software to take care of the tech.

Alternatively, you can use equipment rather than software for remote recordings. Audio mixers are traditional options, while podcast-specific interfaces, such as the Zoom PodTrak P4 or the Rode Rodecaster II, are available these days.  

The PodTrak P4 and Rodecaster work well for in-person recordings, too. They have multiple XLR outputs so that guests can get their own mic. They can also wear headphones with their own individual volume control!

Whether you’re recording remotely or locally, having each guest on their own mic and audio channel will give you better-quality audio. This individual control can go a long way toward creating consistency and balance and minimising unwanted background noise.  

One simple but great-sounding smartphone setup for in-person interviews comes via the Rode Wireless Micro, a fantastic little kit you can keep on you at all times and have set up in a few seconds.

Do I Need Any Gear for Podcast Music?

Not unless you’re a musician planning to make your own, no. Podcast music is typically added in the post-production and editing phase. That said, you can use certain types of equipment to play music and effects “as live” during your recordings. This works particularly well for live broadcasts and saves you from having to edit them in later.

Podcast mixers are great for this purpose, as are pieces of kit like the Zoom PodTrak P4 and Rode Rodecaster II.  

Podcast Equipment Choices on Amazon

Amazon has an entire section dedicated to podcast equipment. There are very few bits of kit you can’t pick up on Amazon, and you’ll find many an affordable option on there. Remember, there’s no “one size fits all” podcast equipment option, but the podcast starter kit from Samson is as close as I’ve seen.

What About Equipment for Video Podcasts?

First up, be wary of anyone telling you that you need to add a video component to your show. Many successful podcasts are 100% audio-only, and many others who run video will tell you that their video views are dwarfed by their audio downloads.  

If you do decide that you’d like to publish video as well as audio, then this is going to add a few pieces of kit to your setup. We cover this in full in our dedicated video podcasting guide. But the big three are an HD camera, a tripod, and some lighting. We also have a handy guide to the best video editing software if you’re keen to go down this path.

Podcast Equipment Is a Means to an End

I mentioned already that most people don’t get into podcasting to collect loads of fancy and expensive audio equipment. Some folks do end up doing that, of course, but you definitely don’t need to.

It’s better to start simple so you can focus on your actual content, rather than whether or not your long chain of gear is all working correctly. Over time, as you grow, you can tweak and upgrade things here and there.

Summary: Best Podcast Equipment & Setup for Beginners & Pros Alike

Let’s sum things up by going full if…then. Here’s how you can decide what gear you need:

1. If you’re recording solo, or recording interviews online, then:

Get a Samson Q2U mic

2. If you’re recording two people in person, on a budget, then:

Get the Rode Wireless Micro

3. If you’re recording two or more people in person, either on the go or in-studio and have the budget for high quality, then:

Get two or more Samson Q2Us and the Zoom PodTrak P4

The Samson Q2U is our most recommended mic and suits 90% of new podcasters perfectly. It functions as both a USB and XLR mic, so if you decide to upgrade to a recorder or interface further down the line, it’ll work with them, too.

And if you’re looking for more help or guidance on any aspect of podcast equipment, join us in the Podcraft Academy. There, you’ll have access to all of our courses (including a podcast equipment chooser guide!), downloadable resources, and podcast feedback features to keep you unstuck and moving forward.

Before we dive in, I’ll just mention that Maono sent us the PD200X free for review purposes, and we use affiliate links to help support all of our free content. Rest assured, though—none of this stops us from giving our honest opinions!

Who is the Maono PD200X For?

The Maono PD200X is ideal for any individual intending to produce acoustic signals characterised by modulated air pressure waves, primarily within the frequency range of human phonation, to encode and transmit linguistic information through articulated phonemes and prosody, with the additional objective of capturing and preserving these signals in a digital format through analogue-to-digital conversion techniques.

That is to say, anyone who would like to record themselves talking. I was trying to be funny, but it has really hammered this post’s “readability” score. I hope you appreciated it.

Anyway, you’re an aspiring podcaster or streamer with less than $100 in your wallet, and you want to buy a mic. So what will you get for your dosh?

It’s a Dynamic Mic

The vast majority of mics fall into the “dynamic” or “condenser” category. These terms refer to how they’re built and how they work. There’s no “better” option here, though anecdotally, I find dynamic mics to be more durable and more forgiving of less-than-optimal conditions.

Dynamic mics don’t require Phantom Power, so if you have a wee 48v button on your audio interface, leave it off when you plug in the PD200X.

It Has a Cardioid Polar Pattern

Cardioid is the standard polar pattern for a mic designed to be used by one person.

A microphone’s polar pattern is like the shape of its ears. A polar pattern determines the areas around the mic it’ll focus on to “hear” sound and also the areas it will ignore and reject.

It Works in USB and XLR Form

“Combo” mics that plug in via USB OR XLR used to be pretty rare beasts, but not now. There are a fair few of them on the market, from the ultra-popular Samson Q2U and Shure MV7+ to the PD200X’s Maono cousins, the PD400X and AU-HD300-T.

As a side note, that last name is a doozy, isn’t it?

In any case, if you want to start out with USB (no extra kit needed) and think about adding in an audio interface, mixer, or digital recorder further down the line, then the PD200X is one of many solid options.

It Has On-Board Controls

• A mute button – can you guess what it does?
• A dial that controls both headphone volume (blue) and input gain (green). Press to toggle between the two.
• An RGB button to toggle the colour of the LED light band on the mic. As bells and whistles go, they don’t come much more bells and whistles-ey.
• A 3.5mm headphone jack for active monitoring.

These are only relevant if you’re using the mic in USB form. If you’re running it via XLR into an audio interface, then you’d control everything with its own buttons and dials.

You Can Buy It in White or With a Boom Arm

You’ll need a boom arm to mount your PD200X. If you don’t have one already, you can buy one with the mic for just $10 more, and again, it’s often discounted.

Or, you can spend that extra tenner and buy the PD200X in white. A questionable decision if you don’t own a boom arm, and a luxurious one if you do.

Other Technical Specs of the Maono PD200X

If you liked the paragraph about transmitting linguistic information through articulated phonemes and prosody, then you’ll love this section. Strap in:

• Bit Depth/Sample Rate: 24-bit/48kHz – ensures highly detailed and professional-quality sound recording.
• Frequency Response: 40Hz-16kHz – captures a broad range of sounds from deep bass (40Hz) to high frequencies (16kHz).
• Sensitivity: XLR: -52dBV USB: -10.5dBFS/Pa (Max) – XLR and USB modes offer different levels of signal strength, with USB being more sensitive for direct digital use.
• Max SPL (Sound Pressure Level): ＞130dB SPL – the mic can handle very loud sounds (over 130dB) without distortion.

How Does the Maono PD200X Sound?

It’d be a real shame if I’d just written all that only to announce that it sounds terrible, and I’ve wasted your time as well as my own.

Fortunately, I think it picks up the voice pretty well and without any reverb, considering it’s just a “normal” room.

My sound sample was recorded via the Focusrite Vocaster (annoyingly, I didn’t have my Maono PS22 to hand at the time). I haven’t applied any cleaning, post-processing, etc, to the file. That’s exactly as it was recorded.

Summary: Maono PD200X Review

For less than $70 (and you’ll often find it on discount), the Maono PD200X is a nice-sounding mic, and a good addition to the “cheap but quality” podcast mics category.

My one single complaint (and it’s a very small one-off thing) is that I wasn’t initially sure if I was toggling the gain or the headphone volume. Toggling between a green light and a blue light told me nothing other than these are two different settings. But I suppose that’s what manuals are for. I’m supposed to read them anyway.

Ultimately, would I use this mic for podcasting? Without a doubt. It has a thoroughly decent sound for its price point and the flexibility of USB or XLR use.

If you’re a beginner on a budget, then the Maono PD200X is well worth your consideration, though if you’d still like to shop around, check out our main podcast microphones guide for a full range of options!

Many years ago, I remember showing my gran an iPod and wondering how impossible it must’ve been for her to comprehend.

These days, I get it. My on-the-go podcasting kit consists of a brick-sized digital recorder, two dynamic mics, and two rolls of XLR cables. I still think of this as “handy” and “portable”. And then I hold in my palm the new Rode Wireless Micro – a tiny kit that lets you capture pristine audio with your smartphone. And it’s precisely this kit that’s the focus of my reviewer’s pen today.

A quick heads up before we dive in: We received the Rode Wireless Micro free of charge for review purposes. We also use some affiliate links, which help support all of our free content, but rest assured, this never prevents us from giving our honest opinions.

The audio in this video was recorded with the Rode Wireless Micro.

Rode Wireless Micro

I used to throw the term “pocket-sized” around when I was writing gear reviews, but, to be honest, this only applied to the types of pockets found on Clown’s trousers.

Now, ordinary pockets can get in on the act – even if they live on skintight jeans.

Weighing in at less than 100g and small enough to close your fist around, the Rode Wireless Micro case contains two mic transmitters and a receiver.

You can choose a Lightning or USB-C kit, depending on whether your mobile cellular telephone is an Apple or Android device. So, assuming you have a phone (last time I left the house, it looked like everyone was sorted on that front), your entire “studio” can cost you less than $150.

Who is it For?

This kit will benefit anyone who wants to record first-class audio into their smartphone. However, it excels if:

• You’re recording video – the mics are barely visible on your clothing
• You’re frequently recording on the go (and often, spontaneously)
• You often record with others (guests or co-hosts) in person

The Rode Wireless Micro is a kit you can have on you at all times, and if a recording opportunity arises, you can be set up and hitting the big red button in seconds.

How Does the Rode Wireless Micro Work?

Pop the receiver into your smartphone via its Lightning or USB-C port, then, download the Rode Central app. Clip one of the mics onto your jersey, open up your video camera or voice memo app, and that’s it. You’re all set.

Rode Central

This free app ensures the Rode Wireless Micro kit will work on your phone. It’s very minimalistic, which isn’t a bad thing. I really like the fact that there is a Gain Control option, as this is an area where some smartphone recording setups fall short. You can also choose whether to merge your audio or split it to either side of a stereo track. Aside from that, the app just gets out of your way and lets you do your thing.

Technical Stuff

The mics have Omnidirectional polar patterns. This means they pick up sound equally from all around them, making them foolproof for setting up – you can’t accidentally point them in the wrong direction.

Here are some more tech specs, too.

• Frequency Range (20 Hz – 20 kHz) captures the full range of human hearing
• Maximum SPL (135 dB SPL) determines how loud your sound source can be before the audio distorts. At 135, you’d probably be fine recording at a gig, motor race, or fireworks display.
• Equivalent Noise (21 dBA) is the self-noise of the microphone. Gentle nature sounds or ASMR-style whispering should record well enough, too.
• Signal-to-Noise Ratio tells you how much of the recorded signal is clean compared to noise. 73dB is great for its size, putting it around the level of the Blue Yeti or AT2020.
• Sample Rate (48 kHz) and Bit Depth (24-bit) ensure detailed and professional-quality audio.

The Wireless Micro also has GainAssist technology, which is claimed to help optimise your levels during a recording session. I can’t see any settings for this in the mobile app, though – I only have the option to set gain levels manually (which is fine by me).

Other Features of the Rode Wireless Micro

The Rode Wireless Micro has a transmission range of 100m, assuming full line of sight. That means you could theoretically have two goalies recording together on a football park or two co-hosts at either end of a train. They wouldn’t be able to hear one another, of course, but you could hire Usain Bolt to run back and forth every 9.58 seconds to pass on the messages.

The transmitters are also said to be “splashproof”. I’m assuming that means water, and not acid or lava. Disappointing news if you regularly record your podcast on Venus.

The mics will run for a whopping 7 hours, and the carry case provides an additional two charges for up to 21 hours of battery life.

If you want to hear a sound sample, then the audio in this video overview was recorded with the Rode Wireless Micro.

Summary: Rode Wireless Micro Review

I got a decent play with this kit before I’d even checked the price, and was pretty amazed to see it cost only $150. I think that’s a real bargain for the quality and range of options it provides.

More podcasters than ever before are using their smartphones to record, and whilst the video on these devices can be first-class, the audio isn’t quite there yet. The Rode Wireless Micro solves that problem at an accessible price point.

Personally, I can’t see myself ever using a smartphone as my primary recording method, but I’m not the main target audience here. Whilst I stick my iPod on and listen to “Now That’s What I Call Music: 1927”, the modern content creator is out there recording “TikToks” and “YouTube Shorts” with studio-quality audio. And all power to them. It was a lot harder in my day.

Now, where’s that 400-foot roll of XLR cable?

Rode Wireless Micro doesn’t sound like a good fit? No problem. Our podcast equipment guide and best podcast microphones roundup will help you find something more suitable!